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Art Basel Paris

Booth 1.G12

October 21 - 25, 2026

Henry Darger (1892 - 1973)

Henry Darger (1892 - 1973)
Vivian Girls Captured by Glandelinians Under General Purgatorium, Near Julio Gallio, c. 1950-1960
Gouache on paper
29.7 x 21.9 inches

Martín Ramírez (1895 - 1963)

Martín Ramírez (1895 - 1963)
Untitled, c. 1960
Colored pencil and gouache on paper
20.5 x 23.6 inches

Janko Domsic (1915 - 1983)

Janko Domsic (1915 - 1983)
Untitled, c. 1970
Ballpoint pen, colored pencil, and felt-tip pen on cardboard, recto and verso
25.6 x 19.7 inches

Joe Coleman (b. 1955)

Joe Coleman (b. 1955)
Voyage to Candyland, 2026
Acrylic on panel
36 x 48 inches

Anonymous Untitled, c. 1900

Anonymous
Untitled, c. 1900
Erotic postcards enhanced with graphite. Graphite drawings on the verso.
5.5 x 3.6 inches

Ray Materson (b. 1954)

Ray Materson (b. 1954)
Adieu Deirdrie, 1991
Sock threads
2.6 x 3.1 inches

Madge Gill (1882 - 1961)

Madge Gill (1882 - 1961)
Untitled, c. 1948-50
Ink on paper
3.5 x 5.5 inches

Edmund Monsiel (1897 - 1962)

Edmund Monsiel (1897 - 1962)
Untitled, 1943
Graphite on paper
5.7 x 4. inches

Abraham Lincoln Walker (1921 - 1993)

Abraham Lincoln Walker (1921 - 1993)
Untitled, 1986
Oil on board
30 x 24 inches

Andrew Edlin Gallery will present a selection of exceptional works, drawn in part from the Paris-based Bruno Decharme Family Collection. Decharme is the founder of collection abcd, whose recent gift of over 900 works to the Centre Pompidou comprised the exhibition Art Brut (Summer 2025) at the Grand Palais. Among others, the booth includes works by Henry Darger, Martín Ramírez, Edmund Monsiel and Madge Gill, whose work will be the subject of an upcoming solo exhibition in São Paolo at MASP (March 2027).

The presentation will also feature two paintings by Abraham Lincoln Walker (1921-1993), an enigmatic self-taught artist the gallery reintroduced to a wider audience in 2024. An epic painting by Joe Coleman, whose work has been displayed in Paris on numerous occasions, including group exhibitions at Halle Saint Pierre and a solo show at the Palais de Tokyo (2007), will serve as another focal point; its proximity to Darger's work is especially fitting given Coleman's renowned 1998 portrait of the artist.

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